Alexandre Musso

My work has always revolved around the spontaneity of the moment of creation. I try to stay as close as possible to the initial sketch, to keep the energy that imposes itself on me at the moment I conceive my projects. I fill notebooks and choose either to launch into a series or to create isolated works. For the moment I find a good compromise in linocut, this technique allows me to translate with authenticity the initial vision, the "unpolluted" gesture. I only produce small series, less than thirty copies, which allows me to move quickly from one project to another and to keep control of the printing quality.