Sans Titre

Artist
Laurent HDBX
Sans Titre (2024) Painted resin
  • Dimensions : 30 x 30 x 8 cm
  • Framing : No
  • Guarantee :
    COA
Sold and delivered by
Studio Tangerine
15
€1,250.00
Delivery: One to two weeks Hand delivery: Paris - FRANCE
Aditional Information
Period Contemporary (1945-today)

This wall sculpture explores an organic abstraction, structured around a central line reminiscent of a stem or vein. Around this axis, stylized forms resembling leaves or petals unfold through a play of superimposed layers and volumes.

The composition is built on a dialogue of bold colors — pink, orange, turquoise, violet, and green — creating dynamic contrast while maintaining visual harmony. The cut-out layers add depth and generate subtle shadows, reinforcing the sculptural dimension of the work.

Balancing suggested figuration with controlled abstraction, the piece evokes growth, momentum, and vitality. Its format allows it to integrate easily into various spaces while retaining a strong visual presence.

A luminous and structured contemporary work, both graphic and expressive.

Artist Biography

Laurent HDBX is a visual artist born in Paris in 1961.

Trained at the Beaux-Arts, he first pursued a demanding and substantial career in design and communication, where he refined his sense of composition, rhythm, and visual impact. This formative period deeply shaped his artistic language: precision, economy of gesture, and a strong image culture became the foundations of his work.

In 2008, he chose to settle along the Mediterranean coast and fully dedicate himself to his personal artistic practice. This decisive turning point opened a more liberated field of exploration, where painting and sculpture engage in dialogue without hierarchy.

Laurent HDBX defines himself as a “painter in volume.” His research goes beyond the surface: he builds, layers, carves, and assembles. Matter becomes language, color becomes vibration. Textures capture light, pigments assert themselves with intensity, and each work commands an immediate physical presence.

His universe is both instinctive and structured, raw yet controlled. He leaves little room for explanatory discourse, favoring direct impact and sensory experience. Information about the artist remains deliberately scarce; he steps aside behind the work, allowing material and color to speak for themselves.

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