Sans Titre

Artist
Laurent HDBX
Sans Titre (2024) Mixed media on resin
  • Dimensions : 50 x 50 x 12 cm
  • Framing : No
  • Guarantee :
    COA
Sold and delivered by
Studio Tangerine
15
€1,550.00
Delivery: One to two weeks Hand delivery: Paris - FRANCE
Aditional Information
Period Contemporary (1945-today)
The piece stands out like a vibrant, almost indulgent bouquet. Generously contoured floral shapes intertwine and overlap, cut with precision, like an organic puzzle with soft, sensual lines. Three red flowers dominate the composition—sensual, intense—each crossed by darker lines that form an internal network, almost blood-like, as if the material were breathing. Around them, bold blocks of color—deep blue, bright turquoise, acid green, sunny yellow—create a dynamic backdrop. The layers seem to float on top of each other, creating a slight relief that captures the light and gives the work a sculptural dimension. It is not a simple image, but a living assemblage. The palette is bold, confident, almost joyfully irreverent. It evokes the energy of pop art while retaining an organic softness in its curves. Nothing is angular, nothing is rigid: everything is round, fluid, instinctive. There is a springtime feel to it, a colorful pulse that awakens the wall. It is a work that immediately brings vitality to a space—like a window opening onto an imaginary garden, stylized, vibrant, and fully contemporary.
Artist Biography

Laurent HDBX is a visual artist born in Paris in 1961.

Trained at the Beaux-Arts, he first pursued a demanding and substantial career in design and communication, where he refined his sense of composition, rhythm, and visual impact. This formative period deeply shaped his artistic language: precision, economy of gesture, and a strong image culture became the foundations of his work.

In 2008, he chose to settle along the Mediterranean coast and fully dedicate himself to his personal artistic practice. This decisive turning point opened a more liberated field of exploration, where painting and sculpture engage in dialogue without hierarchy.

Laurent HDBX defines himself as a “painter in volume.” His research goes beyond the surface: he builds, layers, carves, and assembles. Matter becomes language, color becomes vibration. Textures capture light, pigments assert themselves with intensity, and each work commands an immediate physical presence.

His universe is both instinctive and structured, raw yet controlled. He leaves little room for explanatory discourse, favoring direct impact and sensory experience. Information about the artist remains deliberately scarce; he steps aside behind the work, allowing material and color to speak for themselves.

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