Sans Titre

Artist
Laurent HDBX
Sans Titre (2025) Painted Resin
  • Dimensions : 50 x 50 x 12 cm
  • Framing : No
  • Guarantee :
    COA
Sold and delivered by
Studio Tangerine
15
€1,550.00
Delivery: One to two weeks Hand delivery: Paris - FRANCE
Aditional Information
Period Contemporary (1945-today)

An exploded flower, almost pop in spirit, seems to burst from the wall through a superimposition of free forms.

The composition unfolds in cut-out layers with soft, generous contours, creating a pronounced relief. Three large corollas dominate: an incandescent red, a vibrant orange-red, and a smaller flower with warm, almost solar accents. Internal lines, drawn in soft pink and yellow, highlight the veins like graphic pulsations.

In the background, expanses of deep blues, turquoise, and luminous greens intertwine, forming a fresh and dynamic setting. The contrasts are powerful yet perfectly balanced: red ignites, blue soothes, green breathes life into the whole.

The work plays with frontality while fully embracing its sculptural dimension. The volumes capture light, cast soft shadows, and give the flower an almost tactile presence.

It is a solar, energetic, joyful piece — a contemporary bouquet that does not merely decorate space, but animates it, awakens it, makes it vibrate.

Artist Biography

Laurent HDBX is a visual artist born in Paris in 1961.

Trained at the Beaux-Arts, he first pursued a demanding and substantial career in design and communication, where he refined his sense of composition, rhythm, and visual impact. This formative period deeply shaped his artistic language: precision, economy of gesture, and a strong image culture became the foundations of his work.

In 2008, he chose to settle along the Mediterranean coast and fully dedicate himself to his personal artistic practice. This decisive turning point opened a more liberated field of exploration, where painting and sculpture engage in dialogue without hierarchy.

Laurent HDBX defines himself as a “painter in volume.” His research goes beyond the surface: he builds, layers, carves, and assembles. Matter becomes language, color becomes vibration. Textures capture light, pigments assert themselves with intensity, and each work commands an immediate physical presence.

His universe is both instinctive and structured, raw yet controlled. He leaves little room for explanatory discourse, favoring direct impact and sensory experience. Information about the artist remains deliberately scarce; he steps aside behind the work, allowing material and color to speak for themselves.

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